Mf hussain biography of martin
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Indian, now Qatari, painter M.F. Husain (via AFP)
Last month, Artinfo reported that:
… celebrated Indian painter M.F. Husain has been shuttling between Dubai and London in self-imposed exile after leaving his country amid harsh attacks from conservative Hindus, who consider his depictions of nude goddesses to be sacrilegious. Now the Qatari government has offered Husain citizenship …
Both of these images depict the same subject, (left) one by a more traditional Indian artist, and the other (right) by M. F. Husain, which is one of his controversial works that caused outrage among some Hindu nationalists.
According to Agence France Presse, Maqbool Fida Husain accepted the Qatari offer.
The controversy began in 1996, when, according to Wikipedia, when they were printed in Vichar Mimansa, a Hindi monthly magazine, which published them in an article headlined “M.F. Husain: A Painter or Butcher.” As a result, eight criminal complaints were f
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M.F. Husain, a name synonymous with vibrant colors, bold strokes, and a touch of controversy, was more than just an artist. He was a whirlwind of creative energy that left an indelible mark on the Indian art scene and the global art world. Nicknamed the “Picasso of India” by Forbes, Husain’s life and work were as captivating as his paintings. So, let’s ditch the conventional biography and delve into ten lesser-known facts that paint a more personal portrait of the barefoot maestro.
Forget prestigious art schools! Husain’s artistic journey began in the bustling city of Mumbai, then Bombay. With dreams of becoming a filmmaker, the young Husain landed a job in 1935 painting cinema hoardings, those larger-than-life movie posters that graced the city walls. While this wasn’t exactly the silver screen, it sparked a love affair with visual storytelling that would define his artistic career.
2. The Allure of Calligraphy: Where Words Danced Before Color • With his lean stick-like frame and luxurious halo of thick white hair, the Indian artist M.F. Husain was a figure of romance. A consummate showman, he was known to wake at the crack of dawn to paint with his two-foot-long brush, shirtless, always barefoot, in his down-and-out studio—a conspicuous choice—in front of Delhi’s overcrowded Jama Masjid. When a canvas was not available, he would paint on anything at hand: floors, walls, hotel room furniture, automobiles, a horse. By the end of the 1960s, the artist in dervish drag had become Mr. India, a human mascot and a stand-in for the nation. Even Andy Warhol, roughly his contemporary, another artist-celebrity, never managed that. Husain’s art appeared on postage stamps and recently inspired a Google Doodle. People called him the Picasso of India, an inexact comparison that nonetheless captured the place he held in the national imagination. For many, he was Indian art. In his youth, Husain
Midnight’s Child